The wickedly funny story of three sisters' coming of age in a wildly dysfunctional family, set against the backdrop of the 60's, free love, the Cold War, LSD and the dawn of feminism. Affectionately dubbed "Little Women on acid", this is a story about the destructive effects of secrecy and the bonds of duty between parents and their children.

City of Angels is a 1976 television series created by Stephen J. Cannell and Roy Huggins, who had previously worked together on The Rockford Files. American mystery novelist Max Allan Collins has called City of Angels "the best private eye series ever."

Rooted in the conflict between characters connected to the deity Santa Muerte and others allied with the Devil, this saga explores an exciting mix of the supernatural and the combustible reality of 1938 Los Angeles, a time and place deeply infused with Mexican-American folklore and social tension.

Karis (Nicole Oliver) is a clothing store owner who picks up a handsome music executive, Lars (Christopher Shyer), in a bar and immediately engages him in some very hot sex that leads to an ongoing physical relationship. One morning Lars encounters Morgan (Rob Lee) in Karis' kitchen; Morgan is her future ex-husband and a policeman with a violent temper who begins a campaign of intimidation to make Lars stop seeing Karis. But wait: 30 minutes into the movie the point-of-view changes to Morgan's, and we see he's not such a bad guy after all and that Lars is the hot-tempered villain. But wait: 30 minutes later the point of view switches to Karis, and it turns out that she hasn't been completely honest about things. Whose story is the real one?

暂无剧情简介

暂无剧情简介

Tae-su, a detective fighting organized crime, returns to his hometown for his high school friend Wang-jae's funeral. There, he meets his old friends Pil-ho, Dong-hwan and Seok-hwan and they reminisce. Suspecting something fishy about Wang-jae's death, Tae-su and Seok-hwan start investigating it, each in his own way. Their investigations lead to a land development project that Pil-ho is directing.

Creuzeville, a small provincial town with its woods, its countryside, its ramparts, its mass and its little Sunday cakes. A stranger arrives. He's a private investigator in Creuzeville, over which an old family of industrialists reigns, a murder has just been committed. The victim is the founding ancestor of this small empire that has outgrown one man. In Creuzeville, we hardly like foreigners, especially if they are vegetarians, perhaps homosexuals, undoubtedly anarchists like, precisely, this detective. However the detective by whom the scandal broke broke the silence of the city by going to the heart of family secrets hitherto well hidden behind purple shutters. The murders follow one another. We strike on the left - a young ecologist - as on the right - a cynical playboy. Continuing to dissect the mobiles and the characters, the detective dropped the masks one by one. And, little by little, fear and violence are settling in the small town.

"Alguien se acerca", "Viajeros", "Lilí" and "Azul celeste", four stories directed by Ramón Cervantes, Rafael Montero, Gerardo Lara and María Novaro, respectively.

Over more than thirty years, a department of the Condesa in Mexico City, is the setting in which they are carried out ten stories, mixed, form one whose only constant is the rupture. The passage of time and the outside world only guess through the windows and objects that come with the characters. The set is a great solitude, possible in a city of the blind.